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"Yuan Qi" (元氣), often translated as "original vital energy" or "primordial force," is a core concept in Chinese philosophy and art, representing the fundamental energy that underlies all of creation. It’s a concept that is closely linked to the concept of Qi. It’s the energy that underlies all aspects of existence and it is something the artist seeks to tap into. ![]() The pursuit of yuan qi in Xieyi involves not just capturing the outward appearance of things but also conveying their inner essence, their inherent vitality, and the fundamental creative power that animates the natural world. The artist strives to align themselves with this creative energy. It’s about conveying the true nature of a subject, beyond its mere surface appearance. ![]() The artist’s own inner yuan qi is crucial to achieving this, requiring that they cultivate a state of balance, mindfulness, and a deep connection with nature. The goal is to clear the mind, and to become a channel for this creative energy. The practice is a way of aligning one’s own internal energy with the underlying forces of the universe. ![]() The brushstrokes themselves should be imbued with yuan qi, reflecting the artist's inner vitality, intent, and creative energy, with each line possessing a feeling of power and purpose. The brushstrokes should be more than just a visual mark; they should be a clear and direct manifestation of inner creative power. The energy of the brushstrokes reflects the artist’s intention. The search for yuan qi reflects the belief that art is more than just a skill; it is a spiritual practice, a means of connecting with the fundamental forces of creation and expressing them through the language of ink and brush. The act of art creation becomes an exploration of the artist’s own internal relationship to the source of all life. It is an act of creative and spiritual communion. |
Tag : primordial force, original energy, vital spirit, Chinese life force
The seal (yìn) is an essential component of Xieyi painting, serving as the artist's signature, authenticating the artwork, adding to its visual composition, and often expressing personal philosophy or tracing provenance, all within the context of Chinese artistic tradition.
Animals are a common subject in Xieyi painting, used to express emotions, convey philosophical ideas, and capture the essence of the animal with simplified forms and spontaneous brushstrokes, relying on cultural symbolism and careful observation of the natural world, often as metaphors for the human condition.
Confucianism subtly influences Xieyi painting through its emphasis on self-cultivation, social harmony, moral conduct, and the ideal of the gentleman scholar, shaping the cultural context, the values of the art form, and the ethical dimensions of artistic creation.
"Splash Ink" (pōmò) is a bold and expressive Xieyi technique, involving the free and spontaneous application of ink to create large washes and evoke movement and dynamism, emphasizing the unpredictable nature of ink and water and strategically used to create balance, depth, and vitality.
This article traces the legacy of Xieyi painting from its origins in the Song Dynasty to its continuous evolution through subsequent dynasties, exploring its transformation from a tradition to a vibrant contemporary practice.