|
The "Four Gentlemen," or sìjūnzǐ (四君子) – plum blossom, orchid, bamboo, and chrysanthemum – are highly revered subjects in Chinese art, particularly in Xieyi, each embodying distinct virtues and characteristics that resonate with the ideals of the literati artist. They represent a range of noble virtues, making them ideal symbolic subjects. ![]() The plum blossom, which blooms in the depths of winter, symbolizes resilience, perseverance, and the ability to overcome adversity. It is associated with courage and hope. It is a reminder of the ability to bloom in even the most difficult of circumstances. ![]() The orchid, with its delicate beauty and fragrance, represents refinement, elegance, and humility. It is associated with grace and inner peace. It reflects a certain quiet beauty and calm spirit. ![]() The bamboo, with its upright form and flexibility, symbolizes integrity, strength, and adaptability. It represents qualities of moral character that are often sought after in the literati ideal. Its strength and flexibility make it a powerful symbol. The chrysanthemum, which blooms in late autumn, represents longevity, resilience, and a life of quiet contemplation. It is often associated with retirement and a peaceful life. It represents the ability to remain beautiful, even in old age. These four subjects, each with their own unique qualities and symbolic meanings, provide a rich source of inspiration for Xieyi artists, allowing them to express a range of emotions and philosophical ideas. Their symbolic nature makes them ideal vehicles for expressing deeper meaning. The careful selection of each flower reveals the underlying intent of the artist. |
Tag : Four Gentlemen, Chinese symbols, plum blossom, orchid, bamboo, chrysanthemum
The "Reversed Brush" (nìfēng) in Xieyi involves starting a stroke by moving the brush in the opposite direction, then reversing to create strong, textured, dynamic lines, conveying a sense of force, resistance, and visual interest, while requiring precise control and a deep understanding of brush responsiveness.
Xieyi, or freehand ink wash painting, emphasizes the expression of the artist's spirit through simplified forms and bold brushstrokes, using calligraphic techniques and negative space to convey the essence of a subject.
The Chinese brush is essential to Xieyi painting, serving as an extension of the artist's hand and mind. Mastering brush types, grip, pressure, and stroke is crucial for creating the diverse range of expressive marks and textures characteristic of the art form.
"Shu Hua Tong Yuan" (calligraphy and painting share the same source) is a fundamental concept in Chinese art and Xieyi painting, highlighting the shared tools, techniques, aesthetic principles, and expressive potential between calligraphy and painting, with calligraphic brushwork central to the Xieyi technique.
This article contrasts Xieyi painting with Gongbi painting, highlighting the differences in their techniques, brushwork, use of color, and overall artistic philosophies within the Chinese painting traditions.