The practice of Xieyi painting serves as a form of meditation, fostering mindfulness, focus, and a sense of connection with the inner self, nature, and the creative process, allowing artists to express inner feelings, explore personal growth, and find a sense of peace and balance.
Xieyi painting is deeply rooted in Chinese philosophy, particularly Daoism and Chan Buddhism, emphasizing the importance of spontaneity, mindfulness, the pursuit of qi or vital energy, and the spiritual significance of emptiness in art.
This article explores the influence of Taoist philosophy on Gongbi painting, highlighting how the art form reflects Taoist ideals of harmony with nature, balance, mindfulness, and simplicity, adding a deeper layer of spiritual and philosophical significance to the artworks.
This article delves into the spiritual dimensions of Gongbi painting, highlighting how the meticulous process, symbolic subject matter, and spiritual intentions of the artist create a deep connection with the natural and divine realms.
While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time.