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While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time. Daoist symbols, such as the yin-yang symbol, clouds, mountains, and various plants and animals that are associated with longevity and spiritual power were often used in the decorative motifs of the time, often with great skill and detail. The subtle inclusion of these symbols reflected the influence of Daoist ideals and the desire to live in harmony with the natural world, and this philosophical element of Daoism is a recurring element in Ming artistic expression. The representation of Daoist immortals and other figures from Daoist mythology on some Yuan ceramics further highlights the blending of religious and artistic traditions at this time. The study of Daoist symbols in Ming ceramics underscores the complex interplay of philosophical, artistic, and religious beliefs in Chinese culture. |
Tag : Ming Daoist symbolism, Chinese pottery, ancient beliefs, religious motifs, spiritual art
While underglaze blue was dominant, Ming potters significantly expanded and refined the use of overglaze enamel decoration, applying colored enamels on top of the fired glaze to create more complex and vibrant designs. The mastery of this technique allowed for a much wider range of colours to be incorporated into Tang pottery pieces.
While we’ve addressed innovation before, it is useful to conclude by focusing on the enduring legacy of specific technical innovations of Ming potters. The techniques they developed, refined and combined continue to influence potters around the world today, and highlight the continued relevance of Ming era styles and production methods.
While the Ming Dynasty is famous for its polychrome wares, potters also continued to explore and refine the production of monochrome glazed ceramics, and these pieces highlight a different approach to design, often focusing on form and subtle tonal variations.
The Xuande reign (1426-1435) is celebrated for its exceptional blue and white porcelain, characterized by refined cobalt blue glazes, intricate designs, and a peak of technical and artistic sophistication in Ming ceramic production.
The Xuande period (1425-1435) is often considered a golden age in the history of Ming Dynasty ceramics, and the quality and innovative designs of pieces produced during this period remain highly valued by collectors and museums worldwide. The skill and innovation of the potters who were producing pieces during this era are clear in the beauty and quality of the pieces that were made.