While Longquan celadon production reached its peak in earlier dynasties, the influence of Longquan kilns was still felt during the Ming Dynasty. While not the central focus of production, the styles and techniques of the Longquan kilns continued to be used and adapted by Ming potters.
While we have previously covered Longquan kilns, let's focus on the techniques and how they were adapted in Ming Dynasty. Even though the Longquan kilns saw a decline in prominence, the techniques for producing celadon wares were continued and reinterpreted in many Ming Dynasty ceramics. The versatility and elegance of celadon styles meant that they continued to be influential even during this period of stylistic change and innovation.
Yue ware, a Tang Dynasty celadon, is characterized by subtle green glazes, elegant forms, and fine, smooth bodies, reflecting a quieter aesthetic and influencing later celadon traditions across Asia.
While blue and white porcelain rose to prominence, celadon wares continued to be produced during the Yuan Dynasty, though often with some modifications in style and technique from the Song Dynasty. These later examples of celadon ware demonstrate the continuing importance of this style, even with the arrival of new design trends.