|
While Longquan celadon production reached its peak in earlier dynasties, the influence of Longquan kilns was still felt during the Ming Dynasty. While not the central focus of production, the styles and techniques of the Longquan kilns continued to be used and adapted by Ming potters. Later Ming Longquan celadons are often characterized by their thicker glazes, darker green tones, and more robust forms, which made them distinct from the more delicate pieces that were produced during the Song period. The enduring popularity of celadon wares meant that Longquan continued to be a major production center even during the Ming Dynasty, and these pieces reflect the overall continuity of established cultural and aesthetic traditions. The continued production of Longquan celadon during the Ming Dynasty demonstrates the lasting power of traditional styles and the importance of regional variations in Chinese ceramics. The enduring aesthetic qualities of these pieces meant they continued to have a market and to appeal to a wide range of tastes and preferences throughout the region. |
Tag : Ming Longquan celadon, Chinese green glaze, later styles, ancient kilns, traditional techniques
While we’ve addressed Jingdezhen before, it is useful to revisit its significance as a global center during the Ming Dynasty. The kilns of Jingdezhen, as the most important site for ceramic production at this time, not only supplied pottery for domestic markets, but also for international trade as well, and its influence was felt throughout Asia, the Middle East, and Europe, and it remains the heart of Chinese pottery production even today.
While we've discussed black glazes, let's examine the specific use of black as a background in Ming ceramics. This technique, where black was used as a backdrop to highlight other colors or decorative elements, was a popular approach to design during this period, and it shows the ways that colour could be used to highlight certain parts of a piece of pottery while also creating a dramatic and striking visual impact.
Ming Dynasty ceramics are highly valued by collectors and museums for their historical significance, artistic beauty, and technical mastery, requiring detailed knowledge for informed collecting and continued appreciation in the modern world.
While we've mentioned precious materials, it is worth delving deeper into the use of gilding on Ming ceramics. The application of gold leaf or gold paint was used on some Ming Dynasty ceramics to add a touch of luxury and visual opulence. Gilding was often used to highlight decorative elements and to add to the sense of refinement that is a key element of Ming dynasty porcelain production.
While the production of Jian ware declined in earlier periods, its aesthetic influence and functional qualities continued to be appreciated and, sometimes, adapted in Ming Dynasty ceramics, particularly in tea bowls. These types of pieces continued to be prized by tea enthusiasts, which demonstrates the enduring importance and impact of these forms, even centuries after their first production.