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While we have previously covered Longquan kilns, let's focus on the techniques and how they were adapted in Ming Dynasty. Even though the Longquan kilns saw a decline in prominence, the techniques for producing celadon wares were continued and reinterpreted in many Ming Dynasty ceramics. The versatility and elegance of celadon styles meant that they continued to be influential even during this period of stylistic change and innovation. Ming potters continued to use the characteristic high-temperature firing techniques and glaze formulations that were developed at Longquan to create pieces with a glossy, translucent finish, and the refined and elegant forms and colours remained popular through the Tang period. The use of iron oxide in the glaze, which created the subtle variations in green tones that were characteristic of Longquan celadon, was also a key element in some Ming pieces. While some Ming celadons were created to directly imitate earlier Longquan styles, many others incorporated new decorative elements and stylistic adaptations, which demonstrates the importance of both continuity and innovation within Tang era pottery traditions. The enduring presence of Longquan techniques in Ming ceramics demonstrates their lasting appeal and importance in the history of Chinese pottery production. |
Tag : Ming Longquan techniques, Chinese celadon, ancient pottery methods, green glaze, regional style
Early Ming blue and white porcelain (1368-1521) established the foundation for later ceramic innovation, showcasing refined cobalt underglaze techniques, bold designs, and diverse natural and symbolic motifs.
While Buddhism was a major influence, it's worth specifically looking at how other religious imagery appeared in Ming ceramics. Beyond Buddhist symbols, Ming Dynasty ceramics sometimes featured motifs and figures from Daoism, Confucianism, and even popular folk religions, showcasing the complex religious landscape of the time, and the ways that different traditions were often integrated into common and everyday styles and practices.
The Ming Dynasty was a time of significant advancement in porcelain production, with potters making technical improvements in their materials, glazing, and firing techniques. The pieces that were made during this time demonstrate a new level of quality and a consistent ability to produce extremely high-quality works in a variety of different styles and techniques.
We have touched on Daoist influence, but let's focus specifically on the representation of immortals in Ming Dynasty ceramics. The depiction of Daoist immortals, with their distinctive attributes and symbolic associations, provides insights into the spiritual and cultural beliefs of the time, and also demonstrates a key element in the religious landscape of Ming China.
While we touched on textures earlier, let's focus on textured glazes beyond monochrome applications. Ming potters experimented with a wide range of textured glazes, often in combination with multiple colours, creating a visually rich and dynamic surface that moved beyond the traditional approach to pottery design.