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The concept of "Intention Before the Brush" (意在筆先), which translates to yi zai bi xian, is central to understanding the mindset and approach of the Xieyi artist. It emphasizes that the artist's intention, vision, and emotional state should guide the brushstrokes, not the other way around. The artist must have a clear concept of their intent before they apply brush to paper. ![]() It emphasizes that the artist should not merely be copying what they see, but should instead be expressing their understanding, interpretation, and emotional response to their subject matter. It's the fusion of the artist’s emotional state and their creative intention. This emphasizes that the artist's emotional state has to be in alignment with their creative goal. ![]() This concept underscores the importance of thoughtful preparation and planning before the act of painting. The artist should have a clear sense of the overall composition, the mood, and the message they want to convey, even though it does not mean the painting should be overly planned or inflexible. Planning involves understanding the end goal of the art process. ![]() "Intention Before the Brush" aligns with the emphasis on spontaneity in Xieyi. Once the artist has a clear intention, they should allow their brush to move freely and naturally, expressing their inner thoughts and feelings without overthinking or over-analyzing. The process should then be a natural expression of that inner intent. This concept highlights that the true power of Xieyi painting lies not in technical skill alone, but in the artist's ability to imbue the artwork with their inner spirit, personal vision, and emotional truth. The technical proficiency is merely a means to convey a deeper message. The goal is communication and expression of a deeper truth. |
Tag : Intention before brush, planning in art, creative purpose, emotional painting
Xieyi painting has influenced artists and art movements globally through its emphasis on spontaneity, expression, and suggestion, with its impact seen in abstract expressionism and many contemporary approaches to the application of ink, form, and the expressive potential of line, reflecting its enduring power and universal appeal.
"Shu Qie" (the written and the carved) emphasizes the connection between calligraphy and seal carving, influencing Xieyi through shared qualities of line, form, expression, and the use of seals, all of which combine to highlight the holistic nature of Chinese art, and inform the artistic process.
The future of Xieyi painting balances innovation and tradition, with artists exploring new materials and technologies while honoring core principles, and its global reach ensures a continued cross-cultural exchange and appreciation of its power and expressiveness, allowing it to continue to adapt and resonate through the generations.
"Zhong Feng" (central tip) is a core Xieyi technique involving holding the brush perpendicular to the paper to create strong, balanced lines with even width, conveying inner strength and control, serving as a foundation for advanced brushwork, and requiring a mastery of precision and consistent brush handling.
Calligraphy forms the foundation of Xieyi painting, sharing similar brushwork techniques and aesthetic principles. The concept of "bone strength" and the integration of poetry, calligraphy, and painting are central to understanding the connection between these two forms.