"Baimiao" (白描), often translated as "plain drawing" or "outline drawing," is a foundational technique in Chinese painting, characterized by the use of simple, unadorned lines to depict the contours and forms of a subject. While seemingly different from the expressive washes of Xieyi, Baimiao plays a crucial role in shaping its underlying structure and approach to form. It is a foundational technique that often informs the artist’s style. Baimiao emphasizes the precision and control of the brush, requiring a mastery of line drawing to accurately represent the shape and essential structure of a subject. It’s not about capturing every detail but about capturing the essential lines of the form. The training in Baimiao often shapes the overall style of the artist. While Xieyi often uses washes and spontaneous strokes, the underlying understanding of form that is developed through Baimiao is essential for creating effective compositions. Even when the lines are less prominent in the finished work, they inform the way that the painting is structured. It provides a blueprint for the final form. Many Xieyi artists incorporate elements of Baimiao into their work, using simple outlines to define certain elements or as a starting point for more expressive brushstrokes. The Baimiao lines can often be seen in the initial stages of the art process, or they can be strategically placed within the finished work. It serves as the foundation for creative development. The discipline and precision required in Baimiao contribute to the overall control and confidence that are evident in skilled Xieyi paintings. The practice of Baimiao also helps to refine the artist’s eye and hone their ability to capture essential forms. It is a technique that builds a foundation for future expressivity. |
Tag : Baimiao, plain drawing, Chinese outline, Xieyi form, foundational technique
The "Dry Brush" (kěbǐ) technique is essential in Xieyi, involving minimal ink and water to create broken, scratchy lines that add texture, depth, a sense of age, and dynamism, requiring a sensitive hand and enhancing the spontaneity and expressiveness of the art form.
"Gu Yi" (ancient intention) in Xieyi emphasizes an artist's engagement with tradition, seeking to absorb the spirit and principles of past masters, studying their techniques and cultural context to create work that honors the legacy of the art form and contributes to its ongoing evolution.
Common subjects in Xieyi painting include bamboo, plum blossoms, landscapes, birds, flowers, and animals, each imbued with symbolism and representing aspects of nature and the artist's inner world.
This article delves into the various brushstrokes and techniques used in Xieyi painting, emphasizing the importance of mastering spontaneity and ink control to convey the spirit of the subject.
"Leaving the Brush" (cángfēng) in Xieyi involves concealing the brush tip when beginning and ending a stroke, creating lines with a subtle beginning and end, conveying inner strength, control, and intentionality, contrasting with the technique of "revealing the brush," and demonstrating the mastery of brush control.