|
"Multiple Brushstrokes," or cūn fǎ (皴法), are a series of textured brushstrokes used in Xieyi painting, particularly in landscape paintings, to create a sense of depth, texture, and form. These strokes are often used to depict mountains, rocks, and trees, adding visual complexity and depth to the artwork. They represent the accumulated knowledge of Xieyi masters across history. ![]() There are many different types of cūn fǎ, each with its own unique characteristics and expressive qualities. Some of the most common include "axe-cut" strokes, "hemp-fiber" strokes, and "raindrop" strokes, each suggesting different textures and forms. The techniques provide a wide expressive range. The use of "multiple brushstrokes" allows the artist to create a sense of three-dimensionality, suggesting the volume and depth of the landscape. They also can be used to represent lighting effects. They are a valuable technique for creating a sense of realism within the art form. ![]() The application of cūn fǎ requires a high level of skill and a deep understanding of brushwork. The artist must be able to create lines that are both textured and expressive, often layering strokes to add depth and visual interest. It is a technique that requires a lot of practice and dedicated study. ![]() The strategic application of these brushstrokes can guide the viewer’s eye through the composition, creating a sense of movement and rhythm and adding visual complexity and dynamism. It is a key technique for building landscapes from simple brushstrokes. It adds both complexity and a sense of movement. |
Tag : multiple brushstrokes, textured lines, landscape technique, Xieyi method
"Qing" (feeling) is a fundamental concept in Xieyi painting, emphasizing the importance of artists imbuing their work with personal emotion and genuine expression, requiring sensitivity, observation, and technical skill to convey feelings through brushstrokes, composition, and connecting with viewers on a deeply human level.
Bamboo is a popular subject in Xieyi painting, valued for its elegant form, resilience, and rich symbolic meaning, with artists using bold, fluid brushstrokes and calligraphic lines to capture its essence, its vital energy, and to express core values of integrity, resilience, and a meditative connection to nature.
The practice of Xieyi painting serves as a form of meditation, fostering mindfulness, focus, and a sense of connection with the inner self, nature, and the creative process, allowing artists to express inner feelings, explore personal growth, and find a sense of peace and balance.
"Tian Qu" (natural charm) is a key aesthetic ideal in Xieyi painting, emphasizing a sense of effortless freedom, spontaneity, and a deep connection to nature, requiring artists to let their intuition guide the creative process, resulting in works that feel both deeply moving and authentically beautiful.
The four treasures of the study - brushes, ink, paper, and inkstone – are crucial tools for Xieyi painting. Each tool, from brush construction to paper absorbency, affects the ink application and contributes to the unique character of the artwork.