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"Kraak" porcelain, a term derived from the Dutch word for a type of ship, refers to a specific style of late Ming blue and white porcelain that was produced specifically for export, and these pieces are an important example of the cross cultural exchange that occurred through trade and commerce. Kraak porcelain is characterized by its distinctive panelled designs, compartmentalized decorative elements, and often a blue and white color scheme. The pieces were made with specific markets in mind, and often had unique characteristics that made them highly desirable to overseas consumers. These pieces were produced in large quantities to meet the demands of the overseas market and were designed to be both durable and functional. The importance of the pieces for trade means that they are an important element in understanding the economic importance of Chinese pottery during the Ming era. The distribution of Kraak porcelain along international trade routes helped to spread the influence of Chinese artistic styles throughout Asia, Europe, and other parts of the world. The study of Kraak porcelain provides valuable insights into the complexities of international trade and cultural exchange during the late Ming Dynasty, and the pieces that were produced during this era help to make up a vital part of our understanding of international artistic exchange. |
Tag : Kraak porcelain, Ming export ware, Chinese trade pottery, blue and white, global ceramics
While we've touched on animals, it's useful to focus on their specific symbolic meanings in Ming ceramics, and how these meanings might have shaped the choices that were made by potters during this time period. Beyond dragons and phoenixes, a variety of other animals, both real and mythical, were depicted on Ming Dynasty ceramics, each carrying their own symbolic associations and meanings.
The reign of the Zhengde Emperor (r. 1505-1521) saw a notable change in the style and decorative elements of Ming ceramics. The emperor's personal tastes and preferences led to the development of pieces that were both unique and influential. This period of experimentation reflects a degree of personal influence from the emperor that is not often found in Chinese pottery.
Jingdezhen was the pivotal center of Ming Dynasty ceramic production, hosting imperial kilns that attracted skilled artisans and oversaw meticulous production, significantly influencing ceramic art, technology, and innovation.
While red glazes had been used previously, Ming potters achieved a new level of intensity and brightness in the development of "coral red" glazes. The distinctive red tones and glossy surfaces are a key element of the overall beauty of the pieces that were decorated with this specific colour.
While we’ve discussed monochrome glazes, it’s worth revisiting them focusing on the textured effects that Ming potters sometimes achieved. Beyond simply color, they explored techniques to create visually and tactilely interesting surfaces with a single glaze color, demonstrating the importance of texture as another key element in artistic design.