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While we've touched on imperial influence, it's worth revisiting the specific impact of the Wanli Emperor (r. 1572-1620) on Ming ceramics. The Wanli period, which was one of the longest of the Ming Dynasty, saw a unique style of ceramic production that reflected the emperor’s personal tastes and the changing economic landscape of the time. The emperor’s preferences had a profound effect on the styles and production methods that were popular during this time period. Wanli-era ceramics are characterized by their large sizes, elaborate decorations, and often densely packed designs, which represented a departure from the more restrained aesthetic principles of earlier periods. These pieces often feature a larger number of symbolic and mythological elements than those of previous generations, creating visually complex and engaging designs. The increased production of ceramics, including both blue and white and polychrome wares, to meet the growing demand both within China and overseas led to a standardization of many designs and techniques. The increased scale of production demonstrates both a growth in technical skill and also a desire to meet the growing global demand for Chinese porcelain. While some critics suggest a decline in quality compared to earlier periods, Wanli ceramics also demonstrate the continuing innovation and creativity of Ming potters. The style of production during this time period created highly individualistic and technically complex pieces. The legacy of the Wanli era can be seen in the continuing influence of its designs and techniques on later generations of potters, and its influence is clear in surviving pieces from later eras. |
Tag : Wanli porcelain, Ming Dynasty, Chinese imperial art, ceramic styles, late Ming ceramics
While we've mentioned precious materials, it is worth delving deeper into the use of gilding on Ming ceramics. The application of gold leaf or gold paint was used on some Ming Dynasty ceramics to add a touch of luxury and visual opulence. Gilding was often used to highlight decorative elements and to add to the sense of refinement that is a key element of Ming dynasty porcelain production.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.
While emperors are often credited with shaping artistic tastes, it's important to acknowledge the influence of powerful court eunuchs during the Ming Dynasty on ceramic production. These figures, often close to the imperial family, could wield significant power and influence, and their preferences sometimes shaped the types of pieces that were created during this period.
While we've touched on the literati, it's worth focusing on the specific influence of figures like Dong Qichang (1555-1636) and other prominent Ming literati on the art of ceramics. These scholars and artists, with their emphasis on refined taste, classical learning, and a connection to the natural world, helped shape the aesthetic sensibilities of late Ming pottery. The influence of these figures helped to shape a new appreciation for subtle beauty and refinement that would become increasingly influential over the course of the Ming period.
Ming Dynasty ceramics are highly valued by collectors and museums for their historical significance, artistic beauty, and technical mastery, requiring detailed knowledge for informed collecting and continued appreciation in the modern world.