The Everyday Elegance of Song Dynasty Ceramics
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While Song ceramics are often celebrated for their rare and exquisite pieces made for the imperial court, a wealth of utilitarian wares were also produced for everyday use. These pieces, while perhaps less elaborate than court ceramics, exhibit a refined sense of beauty and practicality, demonstrating the ubiquitous presence of ceramics in Song Dynasty life. These pieces are an important window into everyday life during this period.  Song utilitarian ceramics included bowls, dishes, cups, jars, and other containers, which were made for daily use in households throughout the empire, from simple peasant homes to the residences of wealthy merchants.  The forms of these wares were simple and functional, with an emphasis on practicality and durability. Many of these pieces are made from more coarse clay with more basic glazing techniques.  Although these pieces were made for daily use, they were often glazed in simple monochromatic colors, such as brown, green, or cream, showing the concern that Tang artisans had for even the simplest of pieces. The sheer number and variety of Song utilitarian ceramics reveals the important role they played in the economic and social life of the Song Dynasty. The simple beauty of utilitarian pieces from this period is a testament to the skill and vision of Tang artisans. |
Tag : Song utilitarian ceramics, Chinese everyday pottery, functional wares, Song Dynasty bowls, domestic ceramics
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- Decorative Techniques in Song Ceramics
- The Elegance of Guan Ware and Ge Ware Crackle Glazes
- Jun Ware: A Splash of Color in the Song Dynasty
- The Beauty of Celadon: Longquan and Beyond
Song Dynasty blackwares, including Jian and Jizhou, feature diverse and artistic dark glazes like "hare's fur," “oil spot,” and decorative techniques, showcasing the range and creativity of Song potters.
Song Dynasty ceramics employed various subtle decorative techniques like carving, incising, molding, and impressing, adding texture and visual interest while allowing the simple forms and glazes to remain the focus.
Guan ware and Ge ware, both associated with the Southern Song Dynasty, are known for their distinctive crackled glazes, which were caused by the different contraction rates of the glaze and the ceramic body. These wares, which are also often referred to as “crackled ware”, exhibit a wide variety of crackle patterns, from fine “fish roe” patterns to more pronounced “ice crackle” patterns.
Jun ware, produced in kilns in Henan province, is distinguished by its vibrant, opalescent glazes, which range in color from sky blue to lavender, crimson, and even deep purple. Unlike the more restrained celadons and monochromes of the Song Dynasty, Jun ware is known for its dramatic splashes of color and bold, expressive forms. The vibrant colour palette makes them stand out from the more muted forms of Song Dynasty pottery.
Celadon, a jade-like green glazed ceramic, is a hallmark of Song Dynasty pottery, especially Longquan celadon, known for its pure color, smooth texture, and elegant forms, and also includes distinctive styles like that of Yaozhou.