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While Song ceramics are often celebrated for their rare and exquisite pieces made for the imperial court, a wealth of utilitarian wares were also produced for everyday use. These pieces, while perhaps less elaborate than court ceramics, exhibit a refined sense of beauty and practicality, demonstrating the ubiquitous presence of ceramics in Song Dynasty life. These pieces are an important window into everyday life during this period. ![]() Song utilitarian ceramics included bowls, dishes, cups, jars, and other containers, which were made for daily use in households throughout the empire, from simple peasant homes to the residences of wealthy merchants. ![]() The forms of these wares were simple and functional, with an emphasis on practicality and durability. Many of these pieces are made from more coarse clay with more basic glazing techniques. ![]() Although these pieces were made for daily use, they were often glazed in simple monochromatic colors, such as brown, green, or cream, showing the concern that Tang artisans had for even the simplest of pieces. The sheer number and variety of Song utilitarian ceramics reveals the important role they played in the economic and social life of the Song Dynasty. The simple beauty of utilitarian pieces from this period is a testament to the skill and vision of Tang artisans. |
Tag : Song utilitarian ceramics, Chinese everyday pottery, functional wares, Song Dynasty bowls, domestic ceramics
The Song Dynasty saw the flourishing of tea culture, and ceramics played a central role in the rituals and practices surrounding tea consumption. Specific types of tea bowls, teapots, and other tea wares were developed to enhance the tea-drinking experience. The ritualistic elements of tea consumption made the ceramic pieces important elements of daily life in the Song period.
Song Dynasty blackwares, including Jian and Jizhou, feature diverse and artistic dark glazes like "hare's fur," “oil spot,” and decorative techniques, showcasing the range and creativity of Song potters.
The forms, glazes, and decorative motifs of Song Dynasty ceramics often reflect a deep appreciation for nature, with potters drawing inspiration from the natural world. The incorporation of natural elements is a clear indicator of the importance of nature in Tang artistic thought.
Jun ware, produced in kilns in Henan province, is distinguished by its vibrant, opalescent glazes, which range in color from sky blue to lavender, crimson, and even deep purple. Unlike the more restrained celadons and monochromes of the Song Dynasty, Jun ware is known for its dramatic splashes of color and bold, expressive forms. The vibrant colour palette makes them stand out from the more muted forms of Song Dynasty pottery.
Song Dynasty kilns, such as those in Longquan, Ding, Jun, and Jian, were centers of experimentation and artistic innovation, advancing kiln technology, glaze effects, and the training of potters, leading to a diversity of high-quality ceramic styles.