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While previously mentioned, it is helpful to revisit the specific techniques that were used to produce a turquoise-blue style glaze in the Ming era. While not as common as other colors, some Ming potters achieved beautiful and unique shades of turquoise blue, showcasing their technical skill and experimental approach to glaze development. The creation of turquoise-blue glazes involved a careful balance of copper and cobalt oxides and precise control of firing temperatures and atmospheric conditions in the kilns, demonstrating the complexity of achieving consistent and beautiful results. The subtle variations in hue and intensity that were seen in turquoise-blue glazes created a unique interplay of light and color on the surface of these pieces. The use of this specific type of color demonstrates the continued exploration of different visual effects and the technical mastery of potters working during this period. The relatively rare pieces that were decorated using these types of glaze highlight the importance of experimentation and continued innovation in Ming pottery production. |
Tag : Ming turquoise blue, Chinese pottery, ancient techniques, glaze color, rare ceramics
While Blanc de Chine is most closely associated with later periods, the foundations for this type of white porcelain were laid during the late Ming Dynasty. Potters in Dehua, Fujian province, began to develop the unique clay bodies and techniques that would eventually give rise to the famous Blanc de Chine wares, and these early examples of white pottery production are an important part of the overall development of this particular style.
While underglaze blue was a core component of many Ming styles, some potters experimented with combining underglaze blue with sgraffito, a technique where designs are created by scratching through a layer of slip to reveal a contrasting colour beneath, and this combination of techniques adds both depth and visual complexity to the overall design scheme.
Ming Dynasty ceramics are highly valued by collectors and museums for their historical significance, artistic beauty, and technical mastery, requiring detailed knowledge for informed collecting and continued appreciation in the modern world.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.
"Kraak" porcelain, a term referring to a type of late Ming blue and white ware produced for export to Europe and other regions, is characterized by its distinct panelled designs, compartmentalized decorative elements, and intricate patterns. These pieces are an important element in understanding the role of Chinese pottery in international trade.