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While we've discussed the techniques themselves, it's worth focusing on the legacy of underglaze blue specifically during the Ming. The widespread use of underglaze blue on Ming Dynasty porcelain, which was both refined and innovated at this time, had a lasting impact on the subsequent development of Chinese and global ceramic traditions, and the enduring influence of these techniques can still be seen throughout the world today. The technical mastery of underglaze blue decoration during the Ming Dynasty laid the groundwork for the production of blue and white porcelain for centuries to come. The high quality of the techniques that were developed at this time set a new standard for quality and also opened up new expressive possibilities for future generations of artists. The aesthetic and cultural impact of Ming blue and white porcelain extended far beyond China, influencing ceramic production in many different countries and cultures. The use of underglaze blue continues to be a defining feature of Chinese porcelain and a beloved artistic style throughout the world. The enduring legacy of Ming underglaze blue underscores its position as a pinnacle of Chinese ceramic achievement. |
Tag : Ming underglaze blue, Chinese porcelain, ancient legacy, blue and white, global influence
We've discussed literati taste, but let's focus on the specific motifs associated with scholarly life that often appeared on Ming Dynasty ceramics. The inclusion of these elements demonstrates the ongoing respect for learning, intellectual pursuits, and the natural world that was central to scholarly thought at the time.
The reign of the Zhengde Emperor (r. 1505-1521) saw a notable change in the style and decorative elements of Ming ceramics. The emperor's personal tastes and preferences led to the development of pieces that were both unique and influential. This period of experimentation reflects a degree of personal influence from the emperor that is not often found in Chinese pottery.
While "Famille Jaune" enamels are most closely associated with later Qing Dynasty production, some early forms of this style began to appear in the late Ming Dynasty. Potters started to explore the use of yellow as a base color and also to experiment with new colour combinations. The techniques that were developed at this time helped to lay the groundwork for the more fully developed styles of later periods.
Color itself held symbolic meaning in Ming Dynasty ceramics, and specific colors were often chosen to convey messages of good fortune, power, prosperity, or spiritual significance. This demonstrates the ongoing importance of colour theory and symbolic understanding in Chinese art during this period.
While we’ve addressed Jingdezhen before, it is useful to revisit its significance as a global center during the Ming Dynasty. The kilns of Jingdezhen, as the most important site for ceramic production at this time, not only supplied pottery for domestic markets, but also for international trade as well, and its influence was felt throughout Asia, the Middle East, and Europe, and it remains the heart of Chinese pottery production even today.