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While we touched on Lapis, let’s examine how it impacted blue applications on Ming ceramics. The desire to emulate the rich blue of Lapis Lazuli prompted Ming potters to push the boundaries of cobalt underglaze techniques, and to explore new methods of applying their blue glazes to achieve a depth and visual power that was similar to the natural gem. Ming potters achieved a depth of colour and intensity through multiple layers of cobalt and careful firing conditions, often attempting to create a unique depth of colour that was similar to that of Lapis Lazuli. The complex processes involved in the application of the cobalt glaze, demonstrated a high level of technical skill and creative vision on the part of Tang artisans, and the use of these colours meant that potters were able to create pieces of great visual beauty and depth. The influence of lapis lazuli can be seen in the rich, velvety textures of the blue in some pieces, where an attempt was often made to create both the colour and the visual texture of the mineral itself. The exploration of lapis-inspired blue tones in Ming ceramics demonstrates the continuing pursuit of new visual effects and artistic styles. |
Tag : Ming lapis blue, Chinese pottery, ancient techniques, cobalt glaze, deep color
While red glazes had been used previously, Ming potters achieved a new level of intensity and brightness in the development of "coral red" glazes. The distinctive red tones and glossy surfaces are a key element of the overall beauty of the pieces that were decorated with this specific colour.
While we've touched on the Chenghua period, a deeper examination is warranted. The Chenghua era (1465-1487) within the Ming Dynasty is often considered a high point for ceramic production, particularly for its delicate "doucai" wares. The pieces from this era are particularly valued by collectors and museums around the world due to their unique artistic and technical characteristics.
While the Japanese aesthetic of wabi-sabi (embracing imperfection and impermanence) is not a direct influence on Ming Dynasty ceramics, some of the pieces, through their simplicity, subtle glazes, and natural variations, might resonate with this sensibility, highlighting the enduring power of these particular values in ceramic production. The value given to natural materials and subtle variations in tone is a recurring element of many Ming pottery pieces.
The period between the Xuande and Chenghua reigns (1436-1464), often called the "interregnum," is increasingly viewed with nuance, as recent research reveals continued high-quality production despite political and economic disruptions.
While we've touched on Chenghua before, it's important to revisit and further emphasize its lasting legacy on Ming and subsequent ceramics. The short but significant reign of the Chenghua Emperor (1465-1487) had a profound and lasting impact on the development of Chinese porcelain, which continues to be felt even today. The skill and innovations that were used during this period had a long-lasting impact on future generations of potters throughout the world.