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While often featuring recognizable images, some Ming Dynasty ceramics also explored the use of more abstract patterns and motifs, demonstrating the versatility of potters who were working in this time and their willingness to experiment with new design elements. These abstract designs often employed flowing lines, geometric forms, or stylized color patterns, demonstrating a focus on non-representational forms and the aesthetic qualities of these types of patterns. The use of abstract patterns in Ming ceramics reflects a subtle shift in emphasis from narrative and representational art towards a greater appreciation of abstract design elements and their visual power. The exploration of abstract patterns and styles highlights the ongoing experimentation and artistic growth that was visible throughout the Ming period. These experimental pieces demonstrate the range of artistic and technical possibilities that were present during this time. |
Tag : Ming abstract art, Chinese pottery, modern design, non-representational, patterns
We have touched on Daoist influence, but let's focus specifically on the representation of immortals in Ming Dynasty ceramics. The depiction of Daoist immortals, with their distinctive attributes and symbolic associations, provides insights into the spiritual and cultural beliefs of the time, and also demonstrates a key element in the religious landscape of Ming China.
While cobalt blue was dominant, Ming Dynasty potters also explored and refined the use of iron-red glazes. These glazes, characterized by their warm reddish-brown tones and smooth, often glossy surfaces, became an important element in both the decorative and symbolic vocabulary of Ming pottery production. The use of these types of colours is a testament to the technical skill and artistic sensibility of potters during this era.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.
Ming Dynasty porcelain often includes marks and inscriptions, such as reign marks, potters' marks, and dedication marks, which offer vital information about the origin, dating, and purpose of these ceramics.
While we have touched on the use of gouache, it is useful to revisit the specific ways in which the appearance of this type of painting influenced the application of overglaze enamels in Ming ceramics. The desire to create a dense, opaque look akin to gouache paint led to some new techniques and stylistic approaches that changed the look and texture of some Ming pieces.