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"Kraak" porcelain, a term referring to a type of late Ming blue and white ware produced for export to Europe and other regions, is characterized by its distinct panelled designs, compartmentalized decorative elements, and intricate patterns. These pieces are an important element in understanding the role of Chinese pottery in international trade. Kraak porcelain was primarily produced at Jingdezhen and was designed to meet the demands of overseas markets, often in large quantities and with designs that were especially popular in different regions of the world. The characteristic panelled designs of Kraak porcelain often included geometric patterns, floral motifs, and symbolic imagery, often within repeated borders. The influence of Kraak porcelain on European ceramics, particularly in the Netherlands and England, is undeniable, demonstrating the cultural impact of these exported pieces. The influence of these pieces can still be seen in pottery designs throughout the West. Kraak porcelain demonstrates the interconnectedness of trade, culture, and artistic traditions during the late Ming Dynasty, and their production and global dissemination represent a key moment in the history of Chinese pottery production. |
Tag : Ming Kraak porcelain, Chinese export ware, blue white pottery, panelled design, international trade
Beyond plays, it's worth exploring the influence of Ming Dynasty novels on the ceramics. The rise of popular novels during the Ming Dynasty had a subtle but noticeable influence on the types of scenes, characters, and stories that were sometimes depicted on ceramic pieces. The novels of the era were a major element of Chinese culture and their influence is apparent in many of the artistic forms that were popular at this time.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.
While underglaze blue was a core component of many Ming styles, some potters experimented with combining underglaze blue with sgraffito, a technique where designs are created by scratching through a layer of slip to reveal a contrasting colour beneath, and this combination of techniques adds both depth and visual complexity to the overall design scheme.
While we have discussed enamel techniques, it is worth revisiting fahua wares, and the unique nature of their production in the Ming Dynasty. Fahua wares, which are characterized by their use of raised outlines and vibrant, often turquoise, blue, green, and aubergine glazes, represent a unique type of Ming ceramics with a distinctive style and high level of technical complexity.
While emperors are often credited with shaping artistic tastes, it's important to acknowledge the influence of powerful court eunuchs during the Ming Dynasty on ceramic production. These figures, often close to the imperial family, could wield significant power and influence, and their preferences sometimes shaped the types of pieces that were created during this period.