|
While Famille Verte enamels are most closely associated with the later Qing Dynasty, the seeds of this technique can be seen in some late Ming Dynasty ceramics. Ming potters experimented with green, yellow, and aubergine overglaze enamels, exploring different combinations and application methods, which paved the way for the later development of the full Famille Verte palette. The pieces that were created during this time show the development of colour techniques and their experimentation with layering different glazes and paints. Early examples of Ming ceramics featuring green and yellow enamels, often in combination with underglaze blue, demonstrate the experimentation with new color combinations that would lead to new styles and methods of pottery production. Ming potters also began to explore the use of white enamel as a background for other colors, which was a key element of the later Famille Verte style. These early uses of overglaze enamels helped to define the palette and techniques that were later refined in the Qing Dynasty. The technical and artistic experiments of Tang potters led to new forms of beauty that were developed over subsequent generations. The experimentation with new enamel combinations reflects the dynamic and innovative nature of Ming Dynasty ceramic production. |
Tag : Ming Famille Verte, Chinese enamels, early techniques, overglaze pottery, color exploration
The Ming Dynasty was a time of significant advancement in porcelain production, with potters making technical improvements in their materials, glazing, and firing techniques. The pieces that were made during this time demonstrate a new level of quality and a consistent ability to produce extremely high-quality works in a variety of different styles and techniques.
Auspicious motifs, which convey messages of good fortune, happiness, and prosperity, were a key element of decorative design on Ming Dynasty ceramics. The incorporation of these symbols reflects the importance of tradition and cultural values, and also helps to understand the cultural meanings that were embedded into these types of pieces.
While the vibrant turquoise glazes are often associated with other periods, some Ming Dynasty potters experimented with achieving similar effects, using variations of cobalt and copper in their glaze mixtures. These pieces, while rare, show that potters during this period were still experimenting with and exploring the possibilities of different color combinations and techniques.
The Ming Dynasty, despite its focus on continuity with earlier traditions, also saw significant innovations in ceramic production, leading to the development of new techniques, materials, and decorative styles that would shape the future of Chinese porcelain. The legacy of these pieces is still visible today and these show the innovative spirit of the Ming potters who created them.
While black glazes were used in earlier dynasties, Ming potters achieved a new level of technical mastery in producing deep, lustrous black glazes, often using these glazes to highlight specific forms and decorative elements. This shows that potters during the Ming era were still refining and innovating on previously existing techniques.