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While "Famille Jaune" enamels are most closely associated with later Qing Dynasty production, some early forms of this style began to appear in the late Ming Dynasty. Potters started to explore the use of yellow as a base color and also to experiment with new colour combinations. The techniques that were developed at this time helped to lay the groundwork for the more fully developed styles of later periods. These early examples featured a variety of overglaze enamels, often in combination with a yellow background, which created a unique visual palette. These pieces reflected the ongoing experimentation with new color combinations and enamel application techniques that occurred during the Ming period. The experimentation that took place during the Ming era led directly to the development of later colour palettes that would be refined over time. The use of new colours like yellow and the way that they were employed provided another way for potters to express their skill and creativity. |
Tag : Ming famille jaune, Chinese pottery, yellow enamels, ancient techniques, overglaze color
Jingdezhen was the pivotal center of Ming Dynasty ceramic production, hosting imperial kilns that attracted skilled artisans and oversaw meticulous production, significantly influencing ceramic art, technology, and innovation.
The Xuande reign (1426-1435) is celebrated for its exceptional blue and white porcelain, characterized by refined cobalt blue glazes, intricate designs, and a peak of technical and artistic sophistication in Ming ceramic production.
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