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While "Famille Jaune" enamels are most closely associated with later Qing Dynasty production, some early forms of this style began to appear in the late Ming Dynasty. Potters started to explore the use of yellow as a base color and also to experiment with new colour combinations. The techniques that were developed at this time helped to lay the groundwork for the more fully developed styles of later periods. These early examples featured a variety of overglaze enamels, often in combination with a yellow background, which created a unique visual palette. These pieces reflected the ongoing experimentation with new color combinations and enamel application techniques that occurred during the Ming period. The experimentation that took place during the Ming era led directly to the development of later colour palettes that would be refined over time. The use of new colours like yellow and the way that they were employed provided another way for potters to express their skill and creativity. |
Tag : Ming famille jaune, Chinese pottery, yellow enamels, ancient techniques, overglaze color
While we've discussed yellow glazes, it's worth revisiting the specific use of "imperial yellow," which is a distinct shade of yellow associated with the Ming court. This specific yellow was only used on pieces that were specifically intended for use by the emperor and his court and its use was tightly controlled, making it a highly significant color with deep political and symbolic importance.
While the imperial kilns at Jingdezhen were dominant, regional kilns throughout China continued to produce ceramics during the Ming Dynasty, often incorporating local styles and traditions into their designs. These pieces highlight the influence of regional preferences on the development of pottery during this period.
Jingdezhen was the pivotal center of Ming Dynasty ceramic production, hosting imperial kilns that attracted skilled artisans and oversaw meticulous production, significantly influencing ceramic art, technology, and innovation.
While blue was dominant, let's delve into the specific technical challenges and achievements in using other colors in underglaze decoration during the Ming Dynasty. Although less common, the use of underglaze colors other than blue demonstrates the experimentation and technical skill of Ming potters in their use of a wide range of materials and colours.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.