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While Blanc de Chine is most closely associated with later periods, the foundations for this type of white porcelain were laid during the late Ming Dynasty. Potters in Dehua, Fujian province, began to develop the unique clay bodies and techniques that would eventually give rise to the famous Blanc de Chine wares, and these early examples of white pottery production are an important part of the overall development of this particular style. These early forms of Dehua white porcelain were characterized by their pure white body, translucent glaze, and simple, elegant forms. The exploration of the properties of kaolin clays in the Dehua region was a key element in the development of this type of pottery, and the technical innovation of the time period is a key part of the overall development of these styles. The smooth texture and milky-white color of these pieces were highly prized, setting them apart from other types of Ming ceramics. These early examples of Blanc de Chine production laid the groundwork for the widespread popularity of this unique form of pottery in subsequent periods. |
Tag : Ming Blanc de Chine, Chinese white porcelain, Dehua kilns, ancient techniques, translucent pottery
While we've discussed the literati, it's important to look at how their taste was specifically reflected in Ming ceramics. The refined tastes of the literati, the scholarly and artistic elite of the Ming Dynasty, continued to influence the development of certain types of ceramics, particularly those that emphasized elegance, simplicity, and a connection to nature. The preferences of the educated classes were often reflected in the design elements that were chosen by potters at this time.
While often featuring recognizable images, some Ming Dynasty ceramics also explored the use of more abstract patterns and motifs, demonstrating the versatility of potters who were working in this time and their willingness to experiment with new design elements.
The reign of the Zhengde Emperor (r. 1505-1521) saw a notable change in the style and decorative elements of Ming ceramics. The emperor's personal tastes and preferences led to the development of pieces that were both unique and influential. This period of experimentation reflects a degree of personal influence from the emperor that is not often found in Chinese pottery.
While emperors are often credited with shaping artistic tastes, it's important to acknowledge the influence of powerful court eunuchs during the Ming Dynasty on ceramic production. These figures, often close to the imperial family, could wield significant power and influence, and their preferences sometimes shaped the types of pieces that were created during this period.
"Kraak" porcelain, a term derived from the Dutch word for a type of ship, refers to a specific style of late Ming blue and white porcelain that was produced specifically for export, and these pieces are an important example of the cross cultural exchange that occurred through trade and commerce.