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While we've touched on animals, it's useful to focus on their specific symbolic meanings in Ming ceramics, and how these meanings might have shaped the choices that were made by potters during this time period. Beyond dragons and phoenixes, a variety of other animals, both real and mythical, were depicted on Ming Dynasty ceramics, each carrying their own symbolic associations and meanings. Lions, which were seen as symbols of power and protection, were a common motif on Ming ceramics, and were often used as a decorative element that implied strength and authority. Cranes, symbols of longevity and immortality, were often used to convey wishes for long life and good health. Deer, which were associated with prosperity and good fortune, were also present on some pieces, and the presence of these types of symbols demonstrates the strong desire for good luck and prosperity that was a major part of the cultural landscape of the time period. The presence of different types of animals in Ming ceramics demonstrates the ways in which cultural symbols were integrated into the design of pieces that were intended for practical and everyday use. |
Tag : Ming animal symbolism, Chinese pottery, symbolic meanings, ancient motifs, cultural representations
While we've discussed the Yongle period, it’s important to revisit its specific legacy and how it influenced later Ming ceramics. The artistic achievements and innovations of the Yongle reign (1402-1424), particularly in the production of blue and white porcelain, had a lasting impact on the styles and techniques used by potters throughout the rest of the Ming Dynasty, and also the ways in which Ming pottery continued to develop over time.
While blue and white dominated, the Ming Dynasty also saw the development and refinement of "five-color" wares (wucai), which employed a range of vibrant overglaze enamels, including red, green, yellow, and aubergine, often used in combination with underglaze blue. These pieces demonstrate a more colourful and decorative style of pottery production that became increasingly popular during this period.
Ming Dynasty porcelain often includes marks and inscriptions, such as reign marks, potters' marks, and dedication marks, which offer vital information about the origin, dating, and purpose of these ceramics.
The Xuande reign (1426-1435) is celebrated for its exceptional blue and white porcelain, characterized by refined cobalt blue glazes, intricate designs, and a peak of technical and artistic sophistication in Ming ceramic production.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.