This article presents iconic examples of Running Script calligraphy, including Wang Xizhi's "Preface to the Orchid Pavilion Gathering," Yan Zhenqing's "Draft of a Requiem to My Nephew," and Su Shi’s works, to showcase the depth and range of the script.
This article offers a practical guide for exploring different styles of Tang Kaishu, using Ouyang Xun, Yan Zhenqing, and Liu Gongquan as examples, providing a clear approach for understanding the diversity and complexity of the script.
Explore the work of famous calligraphers who mastered Kaishu, including Ouyang Xun, Yan Zhenqing, and Liu Gongquan. Learn about their unique styles and their significant contributions to Regular Script.
"A Letter to my Nephew," or Ji Zhi Wen Gao, by Yan Zhenqing (颜真卿), is a unique piece of calligraphy in that it was not intended to be an artistic masterpiece. Rather, it is a draft of a letter expressing his grief and sorrow at the loss of his nephew. However, this raw and unfiltered expression of emotion is what makes the work so powerful and enduring. Written in a mix of Running Script (xingshu) and Cursive Script (caoshu), Ji Zhi Wen Gao reveals the artist's inner turmoil and his capacity for emotional expression. It is a unique, personal, and emotional piece.
In the vast landscape of Chinese calligraphy, certain works transcend mere artistic skill, resonating with profound human emotion. One such piece is Yan Zhenqing’s Ji Zhi Wen Gao (祭侄文稿), often translated as Draft of a Requiem to My Nephew or Draft of a Memorial to My Nephew. This intensely personal and emotionally charged work is not just a masterpiece of calligraphy but also a poignant testament to grief, loyalty, and the ravages of war.
The "Four Great Masters" are a group of highly celebrated calligraphers, primarily from the Tang Dynasty, who are recognized for their exceptional contributions to Regular Script calligraphy. They are:Yan Zhenqing(颜真卿) Liu Gongquan (柳公权) Ouyang Xun (欧阳询) Zhao Mengfu (赵孟頫)