While Longquan celadon production reached its peak in earlier dynasties, the influence of Longquan kilns was still felt during the Ming Dynasty. While not the central focus of production, the styles and techniques of the Longquan kilns continued to be used and adapted by Ming potters.
This article explores the intertwined relationship between Chinese calligraphy and seal carving, highlighting how calligraphy serves as the foundation for seal designs and how the two art forms complement each other.