This article explores the symbolism and cultural meanings behind the decorative motifs found on Yuan Dynasty porcelain, such as floral, animal, geometric, and figural designs, offering a deeper understanding of the era's culture.
This article examines the distinct forms and decorative techniques of Yuan Dynasty porcelain, including its large shapes, bold motifs (floral, dragons), and underglaze painting. It reveals the artistic dynamism of the era.
Decorative motifs on Qing porcelain were rich with symbolism, reflecting cultural beliefs, imperial power, and wishes for good fortune. Understanding these symbols adds a layer of appreciation to these artistic pieces.
While underglaze blue and overglaze enamels were often seen in separate styles, Ming potters also developed techniques for combining both methods on the same piece. These combined techniques demonstrate the ingenuity and versatility of potters during this time, and also the ways in which they sought to explore the interplay of different design techniques.
While underglaze blue was dominant, Ming potters significantly expanded and refined the use of overglaze enamel decoration, applying colored enamels on top of the fired glaze to create more complex and vibrant designs. The mastery of this technique allowed for a much wider range of colours to be incorporated into Tang pottery pieces.
In addition to blue and white porcelain, Yuan Dynasty potters also experimented with underglaze red, a difficult technique involving copper oxide that created a striking contrast with the white porcelain body. The creation of red designs under glaze was especially challenging and demonstrated the expertise and experimental nature of Yuan era potters.