|
While underglaze blue and overglaze enamels were often seen in separate styles, Ming potters also developed techniques for combining both methods on the same piece. These combined techniques demonstrate the ingenuity and versatility of potters during this time, and also the ways in which they sought to explore the interplay of different design techniques. The combination of underglaze blue outlines with overglaze enamel details created a sense of depth and visual complexity that was previously difficult to achieve. The blue underglaze often served as a base for more elaborate designs, allowing the overglaze enamels to stand out and create an additional element of visual impact. The use of both underglaze and overglaze techniques demonstrated the technical mastery and artistic creativity of Ming potters, and the application of multiple techniques demonstrates the increasingly sophisticated approaches that were taken during this period. This integration of underglaze and overglaze techniques had a lasting influence on later generations of Chinese potters. |
Tag : Ming underglaze overglaze, Chinese pottery, combined techniques, porcelain decoration, layered art
While we've touched on the literati, it's worth focusing on the specific influence of figures like Dong Qichang (1555-1636) and other prominent Ming literati on the art of ceramics. These scholars and artists, with their emphasis on refined taste, classical learning, and a connection to the natural world, helped shape the aesthetic sensibilities of late Ming pottery. The influence of these figures helped to shape a new appreciation for subtle beauty and refinement that would become increasingly influential over the course of the Ming period.
While blue and white dominated much of Ming production, the dynasty also saw the development of a vibrant palette of overglaze enamels that led to the creation of "five-color" (wucai) porcelains. These polychrome wares are known for their bright colors, bold designs, and dynamic energy, and the pieces demonstrate the level of innovation that was possible during this period.
While we've discussed the literati, it's important to look at how their taste was specifically reflected in Ming ceramics. The refined tastes of the literati, the scholarly and artistic elite of the Ming Dynasty, continued to influence the development of certain types of ceramics, particularly those that emphasized elegance, simplicity, and a connection to nature. The preferences of the educated classes were often reflected in the design elements that were chosen by potters at this time.
While not a direct copying, the visual language of woodblock prints, with their bold lines, repeating patterns, and clear delineation of forms, had a noticeable influence on the decoration of some Ming Dynasty ceramics, particularly in pieces featuring figural or narrative scenes. The influence of other print and image making practices is a key element in understanding the sources of inspiration for Tang period potters.
While we've covered innovation throughout, let's bring it all together by focusing on the enduring legacy of innovation in Ming ceramics. The Ming Dynasty is crucial for understanding the development of Chinese pottery due to the many technical and aesthetic innovations that were developed during this time and their lasting impact on later generations.