The Chinese brush is essential to Xieyi painting, serving as an extension of the artist's hand and mind. Mastering brush types, grip, pressure, and stroke is crucial for creating the diverse range of expressive marks and textures characteristic of the art form.
Key techniques in Xieyi painting include line drawing, splashing ink (Pomo), dry brush work, the control of ink washes, and the strategic use of negative space, each contributing to the expressive power of the artwork.
This article explores the use of "dry brush" techniques in Running Script, explaining how the method creates texture, dynamism, and a sense of spontaneity through the use of a brush with minimal ink.
This article explores the “flying white” (Feibai) technique in Running Script, detailing how the use of a dry brush to create textured, broken strokes adds visual contrast, movement, and a dynamic quality to the artwork.
This article discusses the importance of water in Running Script calligraphy, highlighting how it influences ink density, stroke texture, and the overall appearance of the artwork, as well as how the type of paper influences the process.
This article offers advice and techniques for beginners interested in learning Running Script, emphasizing practice, the study of masters, using proper materials, and consistent effort.
This article explores the brush techniques used in pre-Tang Kaishu, detailing how calligraphers manipulated pressure, angle, and speed to create a variety of strokes, and highlighting how different tools and methods influenced the overall development of the script.
Learn about advanced techniques in Lishu calligraphy, such as controlling ink density, utilizing different brush types, and creating rhythmic variations in strokes, all of which enhance the expressiveness of this ancient script.
Learn the essential stroke techniques and brush control needed to master Running Script (Xingshu). Discover how to create the fluid and dynamic lines that define this style.
Brushwork is at the heart of Xieyi painting, serving as the primary means of artistic expression. The brush is not merely a tool; it is an extension of the artist’s hand and emotions. Mastery of the brush is essential to conveying the spirit and essence of a subject.