This article explores the concept of “letting go” (fang) in Running Script, highlighting the importance of releasing the need for excessive control and allowing the brush to move with spontaneity and natural grace to achieve a more authentic expression.
This article examines the concept of imperfection in Running Script, exploring how it is embraced as part of the art's expressive charm, a reflection of the human element, and a way to allow for natural and spontaneous expression.
This article explores the philosophical underpinnings of Chinese seal carving, examining its connection to Daoism, Confucianism, the concept of yin and yang, and the practice of meditative creation.