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Unlike many Western art forms that emphasize perfection, Running Script (行书), and indeed Chinese art in general, often embraces imperfection. The acceptance of natural flaws and imperfections contributes to the unique character and beauty of each piece. The embrace of imperfection is an important element in the art form itself. The subtle variations in stroke weight, angle, and connection, which might be considered mistakes in other art forms, are often seen as part of the expressive charm of Running Script. These small variations create a dynamic and unpredictable flow, making each piece unique. The very imperfections create something beautiful. The calligrapher is not striving for mechanical precision but for a natural and spontaneous expression of their inner world. Imperfection is not an error, but rather a reflection of the artist’s unique state of mind and physical being. It is an acceptance of the human condition and the expression of emotions. The imperfections in Running Script are not seen as a failure but rather as a reminder that art is a human endeavor. It is a product of human touch and expression, which by their very nature are flawed and imperfect. The presence of imperfections reminds us of the human element behind the art. The acceptance of imperfection allows the calligrapher to free themselves from the pressure of perfect execution and instead focus on the present moment and the creative process itself. It is an acceptance of the flaws that makes each work of art unique. The ability to accept imperfection is essential for growth as an artist. |
Tag : Calligraphy Imperfection, Chinese Art, Running Script Beauty, Wabi-Sabi, Art Philosophy
This article explores the concept of “letting go” (fang) in Running Script, highlighting the importance of releasing the need for excessive control and allowing the brush to move with spontaneity and natural grace to achieve a more authentic expression.
This article emphasizes the importance of paper selection in Running Script, detailing how different types like rice, mulberry, or bamboo offer unique textures, absorbency levels, and colors which impact the ink’s expression and overall composition.
While learning the techniques and principles of xingshu through copying masters is crucial, the ultimate goal for a calligrapher is to develop their own unique voice and personal style. This essay will explore the journey from learning traditional techniques to finding individual expression within the constraints of the script. It will begin by acknowledging the importance of “临摹” (linmo), the practice of copying traditional models, as the foundation for learning xingshu. It emphasizes that copying is not just about replicating, but a way to deeply understand the techniques and styles of the masters. This essential foundation is necessary for any serious calligrapher.
This article explores the use of "dry brush" techniques in Running Script, explaining how the method creates texture, dynamism, and a sense of spontaneity through the use of a brush with minimal ink.
This article explores the use of Running Script in calligraphy demonstrations, highlighting how they provide opportunities for learning, connecting with experienced artists, and promoting an appreciation for traditional Chinese art and culture.