"Qing" (情), often translated as "feeling," "emotion," or "inner sentiment," is a fundamental concept in Xieyi painting, referring to the artist's ability to imbue their works with a sense of personal feeling, emotion, and genuine expression. It’s not just about depicting a scene, it’s about conveying the feelings that it evokes within the artist. The feeling that drives the artistic process is what makes the art form so powerful and moving. The pursuit of qing requires the artist to connect with their own inner emotions, to observe the world with sensitivity, and to express their feelings through the language of ink and brush. The goal is to reach a point of deep understanding of the human condition and to communicate that through the medium of painting. The artist must be in alignment with their creative intent. The feeling within an artwork should be genuine and authentic, reflecting the artist's true state of mind, rather than simply trying to create something beautiful or technically proficient. It must come from the heart and soul of the artist, and not simply from their conscious intellect. The art should feel real and emotionally powerful to the viewer. The ability to convey emotion through brushstrokes, ink washes, and the overall composition of the work is a mark of a skilled Xieyi painter, capable of touching the hearts and minds of viewers. The way that the ink is applied, and the strategic choices of line work create an emotional impact on the viewer. It has the power to resonate with and inspire a powerful emotional response. Ultimately, qing reflects the belief that art should be a means of personal expression, a way for artists to share their inner world, connect with others, and explore the universal emotions that unite us all. It speaks to the underlying human experience, and is able to touch the heart of the observer. It is a powerful means of connection and shared understanding. |
Tag : Qing, feeling in art, emotional painting, expressive art, Xieyi sentiment
Yun Wei (charm, flavor, aftertaste) is a vital aesthetic quality in Xieyi painting, referring to the overall sense of feeling, emotion, and lingering impression that an artwork creates in the viewer, achieved through mastery of technique, subtle nuances, and the ability to express underlying meanings, creating a lasting impact.
"Gu Yi" (ancient intention) in Xieyi emphasizes an artist's engagement with tradition, seeking to absorb the spirit and principles of past masters, studying their techniques and cultural context to create work that honors the legacy of the art form and contributes to its ongoing evolution.
The inkstone (yàn) is a vital part of Xieyi painting, influencing the quality and texture of ink, and serving as an object of both practical use and beauty, representing a key part of the ritual of painting and connecting the artist to tradition.
Qi yun (spirit resonance) is a central aesthetic principle in Xieyi painting, referring to the overall sense of energy, movement, and vitality that emanates from the artwork, achieved through the artist's connection with their subject, spontaneity, and inner energy, and sensed by the viewer.
This article delves into the various brushstrokes and techniques used in Xieyi painting, emphasizing the importance of mastering spontaneity and ink control to convey the spirit of the subject.