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"Qing" (情), often translated as "feeling," "emotion," or "inner sentiment," is a fundamental concept in Xieyi painting, referring to the artist's ability to imbue their works with a sense of personal feeling, emotion, and genuine expression. It’s not just about depicting a scene, it’s about conveying the feelings that it evokes within the artist. The feeling that drives the artistic process is what makes the art form so powerful and moving. ![]() The pursuit of qing requires the artist to connect with their own inner emotions, to observe the world with sensitivity, and to express their feelings through the language of ink and brush. The goal is to reach a point of deep understanding of the human condition and to communicate that through the medium of painting. The artist must be in alignment with their creative intent. ![]() The feeling within an artwork should be genuine and authentic, reflecting the artist's true state of mind, rather than simply trying to create something beautiful or technically proficient. It must come from the heart and soul of the artist, and not simply from their conscious intellect. The art should feel real and emotionally powerful to the viewer. ![]() The ability to convey emotion through brushstrokes, ink washes, and the overall composition of the work is a mark of a skilled Xieyi painter, capable of touching the hearts and minds of viewers. The way that the ink is applied, and the strategic choices of line work create an emotional impact on the viewer. It has the power to resonate with and inspire a powerful emotional response. Ultimately, qing reflects the belief that art should be a means of personal expression, a way for artists to share their inner world, connect with others, and explore the universal emotions that unite us all. It speaks to the underlying human experience, and is able to touch the heart of the observer. It is a powerful means of connection and shared understanding. |
Tag : Qing, feeling in art, emotional painting, expressive art, Xieyi sentiment
Key techniques in Xieyi painting include line drawing, splashing ink (Pomo), dry brush work, the control of ink washes, and the strategic use of negative space, each contributing to the expressive power of the artwork.
The future of Xieyi painting balances innovation and tradition, with artists exploring new materials and technologies while honoring core principles, and its global reach ensures a continued cross-cultural exchange and appreciation of its power and expressiveness, allowing it to continue to adapt and resonate through the generations.
The "Dry Brush" (kěbǐ) technique is essential in Xieyi, involving minimal ink and water to create broken, scratchy lines that add texture, depth, a sense of age, and dynamism, requiring a sensitive hand and enhancing the spontaneity and expressiveness of the art form.
"Baimiao" (plain drawing) is a foundational technique in Chinese painting, emphasizing precise line drawing to define a subject's contours and forms, influencing Xieyi by shaping its underlying structure, informing composition, and contributing to the overall control and confidence seen in the best Xieyi works.
Xieyi, often translated as sketching thoughts or freehand style, is a significant genre within Chinese painting. It is characterized by its emphasis on capturing the essence and spirit of a subject rather than its exact appearance. This expressive, spontaneous approach prioritizes the artist's personal emotions and inner vision.