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While touched on before, it's worthwhile to revisit the specific legacy of the Wanli period (1572-1620) in Ming ceramic production. The long reign of the Wanli Emperor, while sometimes seen as a period of decline in other areas, also saw the development of new styles and techniques in ceramics, which had a lasting impact on later pottery production, and the pieces that were created during this time are an important element of the overall history of Chinese pottery production. Wanli-era ceramics, despite criticisms, demonstrate the technical skill and innovation of Ming potters, and the pieces produced at this time demonstrate the artistic skill and versatility that were present in the pottery workshops throughout the Ming empire. The influence of Wanli-era designs can be seen in the styles and decorative techniques of later Qing Dynasty ceramics, and the impact of Wanli styles and techniques would have a long lasting impact on pottery production in subsequent generations. The large scale of production and the widespread distribution of Wanli ceramics throughout China and around the world helped to shape the global appreciation for Chinese porcelain. The scale and global reach of pottery produced during this period also demonstrates the growing importance of international trade at this time. The legacy of the Wanli period highlights both the continuity and change in Ming ceramic traditions. |
Tag : Ming Wanli legacy, Chinese pottery, late Ming style, ancient designs, ceramic influence
While we have touched on geometric patterns, let's focus on the significance of geometric designs in Ming ceramics beyond the creation of simple repeating patterns. Yuan potters often incorporated geometric designs to create structure, balance, and a sense of order within their decorative schemes and the use of these types of patterns often served to complement and also to highlight the overall design choices of any given piece.
The later Ming Dynasty (1522-1644) saw significant diversity in ceramic production, with new colors, glazes, and techniques introduced, alongside a thriving export trade and varied decorative styles reflecting changing tastes.
While we have discussed enamel techniques, it is worth revisiting fahua wares, and the unique nature of their production in the Ming Dynasty. Fahua wares, which are characterized by their use of raised outlines and vibrant, often turquoise, blue, green, and aubergine glazes, represent a unique type of Ming ceramics with a distinctive style and high level of technical complexity.
The Xuande period (1425-1435) is often considered a golden age in the history of Ming Dynasty ceramics, and the quality and innovative designs of pieces produced during this period remain highly valued by collectors and museums worldwide. The skill and innovation of the potters who were producing pieces during this era are clear in the beauty and quality of the pieces that were made.
The reign of the Zhengde Emperor (r. 1505-1521) saw a notable change in the style and decorative elements of Ming ceramics. The emperor's personal tastes and preferences led to the development of pieces that were both unique and influential. This period of experimentation reflects a degree of personal influence from the emperor that is not often found in Chinese pottery.