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While blue and white was dominant, it's worth examining the specific technical refinements in the use of underglaze blue during the Ming Dynasty. Ming potters built upon earlier techniques to achieve a higher level of precision, consistency, and a broader range of blue tones, and these technical innovations made for higher quality and more visually beautiful pieces. Ming potters refined the sourcing and processing of cobalt pigments, allowing them to achieve more intense, consistent, and vibrant shades of blue, which lead to pieces that were visually striking and also that demonstrated a high degree of technical control. The use of multiple layers or washes of cobalt was used to create subtle variations in tone and to enhance the depth and complexity of the designs. This layering is a subtle element that has a large impact on the overall appearance of a piece. The meticulous attention to detail and the skilled application of underglaze blue on Ming ceramics demonstrate the level of technical expertise that was reached during this period. The ongoing refinement of underglaze blue techniques during the Ming Dynasty had a lasting impact on the subsequent development of blue and white porcelain around the world. |
Tag : Ming underglaze blue, Chinese pottery techniques, cobalt refinement, porcelain colors, ancient processes
While we've discussed the Yongle period, it’s important to revisit its specific legacy and how it influenced later Ming ceramics. The artistic achievements and innovations of the Yongle reign (1402-1424), particularly in the production of blue and white porcelain, had a lasting impact on the styles and techniques used by potters throughout the rest of the Ming Dynasty, and also the ways in which Ming pottery continued to develop over time.
While Buddhism was a major influence, Daoist symbolism also appeared on some Ming Dynasty ceramics, reflecting the influence of this ancient Chinese philosophy on daily life. The Daoist symbols that appear on these pieces are an important aspect of the overall visual language that was being used during this time.
The Yongle Emperor (r. 1402-1424) was a significant patron of the arts, and his reign saw a flourishing of ceramic production, particularly at the imperial kilns in Jingdezhen. The emperor’s patronage was vital to the growth and development of the pottery industry at this time.
While blue and white dominated much of Ming production, the dynasty also saw the development of a vibrant palette of overglaze enamels that led to the creation of "five-color" (wucai) porcelains. These polychrome wares are known for their bright colors, bold designs, and dynamic energy, and the pieces demonstrate the level of innovation that was possible during this period.
While often featuring recognizable images, some Ming Dynasty ceramics also explored the use of more abstract patterns and motifs, demonstrating the versatility of potters who were working in this time and their willingness to experiment with new design elements.