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Running Script, or Xingshu, is a captivating style of Chinese calligraphy that sits comfortably between the formality of Regular Script (Kaishu) and the freedom of Cursive Script (Caoshu). Characterized by its flowing lines, interconnected strokes, and natural ease, Xingshu embodies a harmonious balance of legibility and expressiveness. It's often regarded as a highly versatile and aesthetically pleasing script, making it popular among calligraphers and art enthusiasts. Unlike Kaishu with its distinct and separate strokes, Xingshu allows for greater fluidity and connection between characters. The brush moves more freely across the paper, resulting in strokes that are often linked or partially connected. This fluidity adds a dynamic quality to the writing, giving it a sense of movement and vitality. Xingshu is designed to be both quickly written, while still remaining fairly legible. The origins of Xingshu can be traced back to the late Han Dynasty, where it emerged as a more efficient alternative to Lishu (Clerical Script). It gained popularity during the Jin Dynasty and continued to develop over the centuries, influencing many great calligraphers and artistic styles. Its ease of writing made it an ideal script for personal letters and writings. The practice of Xingshu requires a good understanding of basic calligraphic principles, a certain amount of technical skill, and a good measure of artistic flair. Calligraphers need to be able to control the flow of the brush, vary the speed and pressure of their strokes, and make good judgment calls in regards to the design and layout of the characters. A deep understanding of the balance of the text is critical for Xingshu. Xingshu is often viewed as a reflection of the calligrapher's personality and inner state, due to its expressiveness. It is often described as a script that allows both the artist and the text to “breathe”. Its flowing beauty and dynamic qualities make it a timeless and endlessly fascinating art form. |
Tag : Running script, xingshu, Chinese calligraphy, semi-cursive script, calligraphy styles
This article presents iconic examples of Running Script calligraphy, including Wang Xizhi's "Preface to the Orchid Pavilion Gathering," Yan Zhenqing's "Draft of a Requiem to My Nephew," and Su Shi’s works, to showcase the depth and range of the script.
This article offers advice and techniques for beginners interested in learning Running Script, emphasizing practice, the study of masters, using proper materials, and consistent effort.
This article focuses on the challenge of balancing speed and control in Running Script, explaining how the appearance of speed comes from a smooth, controlled flow of the brush, and why mastering this balance is crucial for skill development.
This article explores the link between Running Script and Chinese tea culture, highlighting their shared emphasis on mindfulness, harmony, presence, and the appreciation of subtle nuances.
This article outlines common mistakes that beginners make when learning Running Script, such as rushing strokes, neglecting character structure, using inconsistent pressure, and ignoring negative space, providing guidance for improvement.