A painting is not complete until it is mounted. For Li Song’s Xianchou Zengqing Tu, SinoInArt employs a rigorous traditional mounting process that has remained virtually unchanged for centuries. This process is essential for preserving the painting and presenting it in its historical context.

Each reproduction is hand-mounted by master artisans who specialize in the "Su-style" (Suzhou) mounting technique. This involves the use of high-quality silk brocade, selected to complement the color palette of Li Song’s masterpiece. The result is a frame that is both flexible and incredibly strong.

The mounting process begins with the "backing" of the Xuan paper. We use a natural starch paste that is reversible, a standard in museum conservation. This ensures the painting lies perfectly flat when hung but can be rolled up easily for storage without cracking or creasing.

The aesthetic balance of the scroll is meticulously calculated. The "Heaven" and "Earth" (the top and bottom sections of the scroll) are proportioned to enhance the visual verticality of the pavilion in Xianchou Zengqing Tu. Every seam is hand-burnished to ensure a seamless transition between the art and the silk.

SinoInArt’s commitment to traditional mounting means that our 1:1 replicas are ready to be displayed in any setting, from modern offices to traditional tea rooms. It provides the final touch of elegance that transforms a high-quality print into a legitimate cultural artifact.