A Chinese painting is only complete once it is mounted. For our 1:1 reproduction of Zhao Yong’s "Small Spring Scenery" (小春熙景), SinoInArt employs traditional mounting techniques that have remained unchanged for centuries. This process is essential not only for the painting's beauty but for its survival and structural integrity.

The mounting process begins with the "backing" of the custom Xuan paper. Our artisans apply a second layer of paper using a natural, pH-neutral starch paste. This strengthens the painting and allows it to be rolled and unrolled without cracking. This delicate step requires years of experience to ensure there are no bubbles or wrinkles, preserving the flat, smooth surface of the landscape.

Next comes the selection of the silk borders. We choose high-quality silk that complements the tones of Zhao Yong’s ink work. The silk serves as a frame that enhances the "window" into the landscape, providing a transition between the art and the environment. This traditional "Three-Section" or "Two-Section" mounting style is a hallmark of authentic Chinese art presentation.

The final touch is the installation of the wooden rollers. These provide the necessary weight for the scroll to hang straight and true. Each component is chosen to be historically accurate to the Yuan Dynasty style, ensuring that when you display the "Small Spring Scenery," it looks exactly as it would have in a private collection hundreds of years ago.

At SinoInArt, we believe that a masterpiece deserves a master’s frame. Our traditional mounting is a labor of love that honors the craftsmanship of the past while utilizing the precision of the present. By choosing our mounted reproductions, you are ensuring that your investment is protected by the same methods used by museum conservators worldwide.