In Chinese art, a painting is not complete until it is mounted. For our replica of Bamboos and Turtledoves, SinoInArt employs traditional mounting craftsmen who have spent decades perfecting their trade. This is a far cry from modern mechanical framing.

Traditional mounting involves a complex process of "backing" the Xuan paper with several layers of thin paper using natural starch paste. This makes the painting "alive," allowing it to expand and contract with humidity without wrinkling or cracking.

We use high-grade silk for the borders, choosing patterns that complement the Five Dynasties aesthetic. The proportions of the scroll are calculated to match historical standards, ensuring the visual balance of the entire piece when hung.

The benefit of this method is twofold: aesthetic and functional. A traditionally mounted scroll can be rolled and unrolled thousands of times. It allows the painting to "breathe," which is essential for long-term preservation in various climates.

When you hang a SinoInArt replica, you are hanging a piece of engineering. The weight of the bottom roller and the tension of the silk ensure the painting hangs perfectly flat, presenting Huang Quan’s work in its most majestic form.