A Chinese landscape painting is not complete until it is mounted as a scroll. For Li Cheng’s Qingluan Xiaosi Tu, the mounting is the "frame" that protects and enhances the artwork. At SinoInArt, we employ traditional mounting techniques that have been passed down through generations of master mounters.

Each 1:1 reproduction is hand-mounted using premium silk brocade. The colors of the silk are carefully selected to harmonize with the ink tones of the Northern Song palette. This process requires a steady hand and an eye for detail, ensuring that the scroll is perfectly balanced and hangs straight.

We use only natural, reversible adhesives, a practice consistent with museum-grade conservation. This allows the custom Xuan paper to breathe and move naturally with changes in humidity, preventing the curling or cracking that plagues mass-produced art prints.

The "Heaven and Earth" sections of the scroll are proportioned according to historical standards, providing the necessary visual space for the central peak to "breathe." This traditional layout is essential for experiencing the painting’s intended spiritual impact.

SinoInArt’s dedication to traditional mounting transforms a high-resolution image into a tactile masterpiece. When you unroll a Qingluan Xiaosi Tu scroll from our studio, you are participating in a ritual of appreciation that dates back over a thousand years.