This article explores the significance of “Qi Yun Sheng Dong” (spirit resonance and lifelike movement) in Gongbi painting, highlighting the artist’s pursuit of capturing the essence and vital energy of the subject matter beyond mere visual representation.
This article explores the cross-influence between painting and Tang Dynasty Kaishu, highlighting how techniques, concepts like qi yun sheng dong, and the use of space permeated both art forms, enriching calligraphy and shaping its unique aesthetic.