This article explores the depiction of water in Gongbi painting, highlighting the techniques used to capture its flow and movement, the use of color to suggest its depth, symbolic significance, and how it enhances the overall sense of harmony and balance within the artwork.
This article explores the relationship between Gongbi painting and the concept of "Shanshui," highlighting the presence of core Shanshui principles, such as the balance of yin and yang, the detailed rendering of nature, and the integration of humans into the natural order within Gongbi landscapes.
This article explores Gongbi landscape painting, focusing on its meticulous details, the use of traditional techniques, its symbolic representations of nature, and its ability to convey a sense of peace and harmony.
While explicit landscape scenes are less common than other types of decoration, the subtle influence of landscape painting can be seen in the design of some Ming ceramics. The forms, colours and textures of pieces from this era often evoke a sense of nature and natural forms. The indirect presence of nature is a key aspect of the overall aesthetic sensibility of the period.
Landscape painting (山水画, shanshuihua) is a major theme in Xieyi, reflecting a deep reverence for nature. Artists seek not to replicate realistic views, but to capture the essence and spirit of the natural world. They aim to evoke a feeling of vastness, serenity, and harmony.