White glaze, fundamental in Qing Dynasty porcelain, showcased technical skill and aesthetic sensibilities, allowing forms and decorations to achieve their full potential, especially in pieces where it served as the sole decorative element or background.
While we’ve discussed white wares, it’s worthwhile to focus on the technical development of white glazes during the Ming Dynasty. Potters devoted considerable effort to refining the techniques for creating pure, white glazes that emphasized the beauty of the porcelain body, and the desire to produce pure white glazes meant that potters were constantly experimenting with materials and firing methods.
While blue and white dominates the Yuan Dynasty's narrative, monochrome glazes, like Longquan celadon, white, and black, demonstrate the technical mastery and artistic range of potters and offer a valuable insight into the diverse ceramic landscape of the era.