The "Dry Brush" (kěbǐ) technique is essential in Xieyi, involving minimal ink and water to create broken, scratchy lines that add texture, depth, a sense of age, and dynamism, requiring a sensitive hand and enhancing the spontaneity and expressiveness of the art form.
"Broken Ink" (pòmò) is a key technique in Xieyi painting, involving layering wet ink to create rich and varied tones, depth, atmosphere, and a sense of spontaneity, reflecting a controlled approach to the unpredictable nature of ink and water, adding visual texture and depth.
The "biscuit" technique, using unglazed porcelain areas for decorative contrast, was a distinctive approach in Qing ceramics, showcasing the versatility and innovation of the potters.
Iron-rust glaze, also known as tea-dust glaze, created a distinctive mottled brown and black surface in Qing porcelain, showcasing the skill of potters in controlling complex glaze and firing techniques.
Incised decoration, a subtle method of adding texture and visual interest to Qing porcelain, involved carving designs directly into the body before glazing, showcasing the skill and mastery of potters.