The "Boneless Technique" (mògǔ) in Xieyi relies on the absence of outlines, instead using washes of ink and color to create form and texture, resulting in fluid, organic works that require skill in blending and layering, as well as spatial awareness.
This article explores the “boneless” technique (没骨法) in Gongbi painting, highlighting how artists use color washes to create forms without preliminary outlines, adding softness, fluidity, and demonstrating a versatility within the art form.