Black glaze, used both as a background and as a monochrome design element, was a distinctive and powerful aspect of Qing porcelain, showcasing the technical skills and artistic sensibilities of the potters.
While black glazes were used in earlier dynasties, Ming potters achieved a new level of technical mastery in producing deep, lustrous black glazes, often using these glazes to highlight specific forms and decorative elements. This shows that potters during the Ming era were still refining and innovating on previously existing techniques.
While blue and white dominates the Yuan Dynasty's narrative, monochrome glazes, like Longquan celadon, white, and black, demonstrate the technical mastery and artistic range of potters and offer a valuable insight into the diverse ceramic landscape of the era.