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Seals (印章, yìnzhāng) are an integral part of Chinese calligraphy, including Running Script (行书) works. They are not merely decorative elements; they are an essential signature and an important part of the artistic expression. The seal becomes a part of the overall narrative of the artwork itself. Seals are typically carved from stone, jade, or wood and are used to impress the calligrapher's name, studio name, or favorite sayings onto their work. The seals serve a function similar to a signature, indicating who created the work. They also add an element of visual interest to the piece itself. The placement of seals on a calligraphic work is carefully considered, with each seal contributing to the overall composition and balance of the piece. The seal functions as a visual counterpoint to the written work itself. They need to be carefully placed to ensure they add value to the overall effect of the piece. The style of the seal often complements the style of the calligraphy, creating a sense of visual harmony. The choice of seal style further enhances the artistic impression of the whole work. The combination of calligraphy and seal adds a unique and personalized quality to the piece. Understanding the significance of seals is essential for appreciating the complexities of Running Script and Chinese calligraphy as a whole. The seal should not be seen as something separate from the work, but as an integrated element that adds meaning, depth, and value. The seal is a vital part of the overall presentation of the work. |
Tag : Calligraphy Seals, Chinese Seals, Running Script Art, Seal Carving
This article explores the link between Running Script and Chan (Zen) Koans, highlighting how the script’s blend of freedom and structure echoes the paradoxical nature of koans and how both practices encourage mindfulness and intuitive understanding.
This article examines the impact of different brush types on Running Script calligraphy, highlighting the unique characteristics of soft, stiff, and mixed-hair brushes and their influence on stroke quality and expressive potential.
This article explores the “flying white” (Feibai) technique in Running Script, detailing how the use of a dry brush to create textured, broken strokes adds visual contrast, movement, and a dynamic quality to the artwork.
This article describes the crucial tools used in Running Script calligraphy: the brush, ink, and paper, and emphasizes their impact on the final artwork and the calligrapher’s experience.
This concluding essay will synthesize the key themes explored throughout this series, highlighting the enduring allure of running script, xingshu, as a sophisticated and expressive art form. We will begin by reiterating the central characteristics of xingshu, highlighting its fluidity, its balance between structure and freedom, and its capacity for emotional expression. This is an opportunity to synthesize the major ideas discussed in previous essays.