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The act of copying Buddhist sutras using Tang Kaishu was considered more than just a mechanical task; it was a devotional practice that required a high level of focus, mindfulness, and a deep respect for the sacred texts. Calligraphy became a method of engaging more deeply with the sacred texts. Buddhist monks and devoted lay practitioners often dedicated themselves to the task of sutra copying, viewing it as a form of meditation and spiritual discipline. The process was often accompanied by prayer, contemplation, and a desire to perform a sacred duty. Calligraphy became a meditative exercise and a form of spiritual devotion. The need for clear and legible writing in sutras led to the refinement and standardization of Kaishu, making it an ideal script for this purpose. The clarity of the script made it ideal for the copying of religious texts. The emphasis on clear writing made Kaishu an ideal choice. The act of copying sutras also had a practical function, helping to disseminate Buddhist teachings and making them more accessible to a wider audience. The copying of sutras helped to make the teachings of Buddhism more readily available to all. The copying of sutras helped to spread the faith throughout the empire. The legacy of Tang Dynasty sutra copying reminds us of the power of art to enhance spiritual practice and how calligraphy can be used to express deep religious beliefs. The act of copying the texts was both a spiritual practice and an act of devotion. This connection between art and devotion is a central element of Tang Buddhist practice. |
Tag : Buddhist sutra copying, Tang Kaishu devotion, religious calligraphy, Chinese Buddhist texts, spiritual practice
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