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The grip that a calligrapher uses when holding the brush plays a crucial role in the flow, control, and expressive quality of their Running Script (行书) work. A proper grip allows the calligrapher to guide the brush with precision and intention, creating a link between the mind and the expression of the art form. The grip itself becomes a connection between the body and the artistic expression. The traditional Chinese grip often involves holding the brush vertically, with the wrist and arm moving freely to create the strokes. The goal is to allow the movement to flow naturally from the body into the brush and then to the paper. The movement should be fluid and effortless. The grip should not be too tight, as this can hinder the brush's movement and lead to tense and inflexible lines. The grip should be firm but relaxed, allowing for the subtle variations in pressure that are needed to produce high quality line work. The grip should allow for maximum flexibility and control. The grip should also be appropriate for the size and type of brush being used. The calligrapher must adapt their grip for different types of brushes and the demands of different artistic works. There should be adaptability in the practice of calligraphy. Finding the right grip is an important step in mastering Running Script, allowing the calligrapher to better control their brush and achieve their artistic goals. The correct grip will help the artist to perform at their best, and it is often the foundation for developing the rest of the skills. |
Tag : Calligraphy Grip, Brush Holding, Running Script Technique, Chinese Calligraphy, Calligraphy Basics
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