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Running Script (行书), while known for its fluidity and dynamic movement, requires a high degree of control despite the appearance of speed. The calligrapher must be able to execute the strokes with both speed and accuracy, a balance that takes time and practice to develop. This ability to control speed is an important element of the art form. The appearance of speed in Running Script comes not from rushing but from the smooth and efficient flow of the brush. The calligrapher understands how to move the brush with precision and fluidity, creating the illusion of rapid motion while still maintaining control. The speed is a product of practiced control rather than a lack of control. Controlling the speed of the brush allows the calligrapher to vary the texture and weight of the strokes, adding depth and dimension to the artwork. This ability to modulate speed allows for a much wider range of expressive possibilities. This control of speed allows the artist to create a richer and more complex work of art. The practice of Running Script involves a continuous interplay between speed and control. The calligrapher must be able to move the brush freely, yet also maintain sufficient control to create meaningful and legible characters. This ability to strike a balance between speed and control is essential for mastery of the script. Mastering the challenge of speed and control in Running Script is an ongoing journey that requires both physical and mental discipline. The calligrapher must be both present and in complete control of their body and mind. The balance of these two qualities leads to quality works of art. |
Tag : Calligraphy Speed, Running Script Control, Brush Control, Chinese Calligraphy, Calligraphy Techniques
Running script, xingshu, is not a static art form; it continues to evolve and inspire contemporary artists who are reinterpreting the tradition with new approaches and techniques. This essay will explore how contemporary calligraphers are pushing the boundaries of xingshu, while honoring its historical roots. We will begin by acknowledging the traditional roots of the script, and emphasize how contemporary calligraphers are deeply engaged with the rich history of xingshu. We will focus on the fact that the contemporary practice is not a rejection of history, but an active dialogue with the past.
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