|
The concept of "bone structure" (gufa, 骨法) is a fundamental principle in Tang Dynasty calligraphy, referring to the underlying structure and strength of the strokes that give each character its solidity and form. This concept emphasizes the importance of underlying support and visual balance in the construction of calligraphy. This underlying structure provided a foundation for the entire work. The "bone structure" of a character is not visible as such, but it is felt through the strength and balance of the strokes. It refers to the internal structure of the character, much like bones provide structure to the human body. The underlying structure is essential to the visual effect of the calligraphy. A character with a strong "bone structure" will appear to be both solid and balanced. The strokes will be well-defined and will have a sense of inherent stability. The balance of the stroke gives the character a sense of inner strength. The sense of solidity is a key aspect of the best calligraphy. The concept of "bone structure" also emphasizes the importance of a well-defined beginning, middle, and end for each stroke, creating a sense of purpose and direction. Each stroke should have a clearly defined beginning and ending, similar to the joints of the human skeleton. The sense of structural integrity is essential to good calligraphy. The mastery of "bone structure" is a key goal for any calligrapher seeking to master the art of Tang Kaishu. Understanding this concept is essential to truly understanding the inner structure of calligraphy. The internal structure of the characters is a key element of Tang calligraphy. |
Tag : calligraphy bone structure, gufa, Tang Kaishu principles, Chinese calligraphy, stroke strength
This article examines the practical applications of Tang Kaishu, detailing its use in administrative, legal, and religious documents, highlighting how the need for clear, legible writing shaped the development of the script and its importance in Tang Dynasty society.
Explore the work of famous calligraphers who mastered Kaishu, including Ouyang Xun, Yan Zhenqing, and Liu Gongquan. Learn about their unique styles and their significant contributions to Regular Script.
This article highlights the often overlooked role of women in Tang Dynasty calligraphy, showcasing contributions from imperial consorts, noblewomen, and Buddhist nuns, revealing their engagement with the art form and broadening our understanding of its cultural landscape.
This essay will trace the historical evolution of kaishu, from its earliest origins to its contemporary interpretations, examining how the script has transformed over time while maintaining its core structural principles. We begin with an overview of the developmental phases of Chinese scripts leading up to the emergence of kaishu. This historical context underscores how the script developed as a refinement of its predecessors. We will discuss how kaishu emerged from earlier script styles, including the Clerical script (隶书), highlighting the crucial transformation that led to the more formalized structure that defines kaishu.
This article explores the enduring beauty of Tang Kaishu, highlighting its meticulous design, harmonious structure, and the masterful technique of its calligraphers, demonstrating its timeless appeal and its enduring influence on the art of calligraphy.