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The concept of "bone structure" (gufa, 骨法) is a fundamental principle in Tang Dynasty calligraphy, referring to the underlying structure and strength of the strokes that give each character its solidity and form. This concept emphasizes the importance of underlying support and visual balance in the construction of calligraphy. This underlying structure provided a foundation for the entire work. The "bone structure" of a character is not visible as such, but it is felt through the strength and balance of the strokes. It refers to the internal structure of the character, much like bones provide structure to the human body. The underlying structure is essential to the visual effect of the calligraphy. A character with a strong "bone structure" will appear to be both solid and balanced. The strokes will be well-defined and will have a sense of inherent stability. The balance of the stroke gives the character a sense of inner strength. The sense of solidity is a key aspect of the best calligraphy. The concept of "bone structure" also emphasizes the importance of a well-defined beginning, middle, and end for each stroke, creating a sense of purpose and direction. Each stroke should have a clearly defined beginning and ending, similar to the joints of the human skeleton. The sense of structural integrity is essential to good calligraphy. The mastery of "bone structure" is a key goal for any calligrapher seeking to master the art of Tang Kaishu. Understanding this concept is essential to truly understanding the inner structure of calligraphy. The internal structure of the characters is a key element of Tang calligraphy. |
Tag : calligraphy bone structure, gufa, Tang Kaishu principles, Chinese calligraphy, stroke strength
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This article discusses the diverse regional styles of early Kaishu during the Southern Dynasties, highlighting how various kingdoms developed distinct approaches to stroke, composition, and aesthetic, paving the way for the standardization of Tang Dynasty Kaishu.
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