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Although the standardization of Seal Script during the Qin Dynasty (221-206 BCE) is often highlighted, it’s essential to recognize that Seal Script continued to evolve throughout subsequent Chinese dynasties, albeit with subtle shifts and variations. These changes reflect not just artistic developments but also evolving cultural and aesthetic preferences. Each dynasty brought its own nuances to the application and interpretation of Seal Script. During the Han Dynasty (206 BCE – 220 CE), while Seal Script was still used for specific purposes, such as official seals and some inscriptions, it began to be gradually supplanted by other scripts like Clerical Script (Lishu) for general use. However, the study and appreciation of Seal Script continued, and calligraphers looked back to the Qin Dynasty style for inspiration. This is also the period where Seal script began to be used more frequently in artistic expressions. The Tang Dynasty (618-907 CE), known for its cultural flourishing, saw a resurgence in the study of ancient scripts, including Seal Script. Calligraphers of this era not only appreciated the formal rigor of Qin Seal Script but also incorporated their own personal styles into their interpretations. There was an emphasis on the elegance and balance of strokes, which reflects the wider aesthetic of the time. In subsequent dynasties such as the Song (960-1279 CE) and Ming (1368-1644 CE), Seal Script continued to be studied and utilized, particularly in seal carving and decorative art. Although not the primary script for daily use, Seal Script remained a source of artistic inspiration. Calligraphers and artisans continued to draw upon its classic forms while experimenting with personal interpretations and stylistic innovations. Examining Seal Script across different dynasties reveals the dynamic nature of this art form. While the standardized forms of the Qin Dynasty established the foundational guidelines, each era brought its own aesthetic sensibilities and cultural context to the practice of Seal Script, demonstrating its flexibility and continued relevance. |
Tag : calligraphy,zhuanshu,Seal Script in Different Dynasties
The use of red ink, or vermillion, in Seal Script calligraphy and particularly in seal carving is rich with symbolic and practical meaning. The striking contrast of red ink against white paper or carved stone adds visual impact, while the cultural associations of the color red in China further enhance the symbolic significance of the script.
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