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Historically, Running Script (行书) has been the preferred script for personal correspondence, thanks to its blend of speed and expressiveness. Its unique blend of form and freedom made it an ideal choice for personal expression. Its use in correspondence throughout history makes it a very personal and intimate art form. The fluidity of Running Script allowed writers to capture the nuances of their thoughts and feelings with more immediacy and freedom compared to the more rigid Regular Script. The script lends itself well to capturing personal ideas and feelings as they emerge. This ability to capture personal emotion is why it has been so widely used. Personal letters written in Running Script often reveal a great deal about the writer's personality and inner world. The variations in stroke weight, angle, and connection reflect the calligrapher's unique style and emotional state, creating a very personal document. Each letter becomes a small window into the writer’s soul. Even today, handwritten letters, especially those written in Running Script, are often valued for their personal touch and artistic beauty. They are a tangible expression of human connection that can’t be replicated through digital communication. The handwritten letter has more meaning in our increasingly digital world. It represents a more human connection. Running Script's use in personal correspondence represents the intersection of communication and art. It serves as a powerful reminder of the beauty and intimacy that can be found in the handwritten word. The use of this art form is a very intimate and expressive way to communicate. The written word takes on a whole new level of meaning through this practice. |
Tag : Calligraphy Letters, Personal Correspondence, Running Script History, Chinese Letter Writing, Handwritten Letters
This article explores the close connection between Running Script and Chinese poetry, emphasizing how the fluidity and expressiveness of the script enhance the meaning and impact of poetic verse.
This article explores the use of "dry brush" techniques in Running Script, explaining how the method creates texture, dynamism, and a sense of spontaneity through the use of a brush with minimal ink.
This article explores the connection between Running Script and music, emphasizing their shared qualities of rhythm, flow, dynamic expression, and the importance of silence in creating harmonious compositions.
In the art of xingshu, ink is not merely a medium but an active element that contributes to the expressive power of the calligraphy. This essay will delve into the technical aspects of ink control, examining how a calligrapher manages ink density, saturation, and dryness to create a diverse array of visual effects. We begin with a discussion of the properties of ink, highlighting how its consistency, from rich and dark to diluted and pale, can alter the character of the strokes. Understanding the material properties of ink is crucial for any calligrapher seeking mastery of the brush.
This article presents iconic examples of Running Script calligraphy, including Wang Xizhi's "Preface to the Orchid Pavilion Gathering," Yan Zhenqing's "Draft of a Requiem to My Nephew," and Su Shi’s works, to showcase the depth and range of the script.